Fashion Film & Photography
Master of Arts
in Fashion Film & Photography
A unique one-year program focused on fashion, and dedicated to emerging photographers or visual talents who wish to specialize in creating still and moving images for the fashion brands and industries.
Today’s professional practice of fashion photographers increasingly includes film; thus, moving images will be taught alongside stills. The program meets the demands of an expanding market for fashion advertising through storytelling in photography and film, using social media and capitalizing on the ability to reach large audiences at a reduced cost through online marketing. Studio classes and workshops conducted by professionals emphasize the mastery of contemporary techniques and professional practices.
At the same time, theory-based and methodology courses help students develop their creative visions and fashion editorial, printing, and publishing skills and delve into the history of fashion photography. Lectures, field trips to exhibitions, and in-class portfolio reviews with experts provide further insights and feedback on students’ styles and perspectives.
Faculty
MA Curriculum
One-year program
fall
Fashion Film & Photography Studio I
In this year-long studio course, students capture (still and moving) images and edit them. Time is spent in the photo studio for shooting, with a focus on advanced lighting techniques. Students perfect their knowledge of lighting scenarios in a studio and also in an outdoor environment using multiple light sources while mixing electronic studio flash with outdoor light. Emphasis is placed on understanding light and on mastering the technical aspects of the lighting equipment for both photo and video. Students work on different shooting projects with models, in the studio and on location in Paris. Individual projects are designed to coincide with the Paris Fashion weeks held in September and January of each year.
Seminar I: Portfolio Production
This year-long course serves as a critical and technical exploration of the language and theory of fashion photography and film. Students develop their own individual identities as professionals working with still and moving images, placing their work within conceptual and historical contexts. Independent and personalized readings and research projects accompany the work done in the studio, which in the second semester is focused on developing the final degree portfolio. The final portfolio can focus on still or moving images, or contain a combination of the two. At least one project in each medium (photography and video) is required. The outcome is an original and coherent set of images.
Digital Lab I: Video
A hands-on step-by-step technical lab class, where editing video will take students beyond the basics to a professional workflow for digital video editing. Students will learn how to produce a professional looking video including – storyboarding, pre-production essentials, shooting scripts, camera movement (theory and practice), sound recording and editing, use of music, titles and credits. Premiere Pro will be the main software for moving images, and all essential tools and plug-ins (like Magic Bullet or After Effects) their options and use, the character of each menu or tool option critical for video editing will be covered at a practical level.
Digital Lab II: Photo
A hands-on step-by-step technical lab class where inputting images, editing, and printing will take students beyond the basics to a professional workflow for digital photography. A range of tools will be presented, including advanced film scanning, working with RAW files, masks, compositing and grayscale and color inkjet printing. Students will work with Photoshop for still images. All essential tools and plug-ins (e.g., Portraiture), their options and use, the character of each menu or tool option critical for photographic editing will be covered at a practical level. Students will master advanced color and B&W editing methods, scanning, masks, selections, and layers to establish an efficient non-destructive workflow.
The Fashion Editorial
In this semester-long interdisciplinary course students research and study the greatest fashion art directors, from Brodovich to Rankin, along with the most significant fashion photographers, from Avedon to Testino. Students will critically examine the work of art directors and fashion photographers, and explore the pivotal role of the art director in the conception of fashion shoots and magazine publications. Through practical exercises, they will also consider the roles and responsibilities of all the team members involved in editorial fashion shoots and magazines (writers, editors, graphic designers, model, stylist, make-up artist, etc.), and enhance their team working skills.
The course will further address fashion media, the contemporary fashion magazine culture and their significance in the fashion industry in the digital era. Students will discover in practice the process of creating and art directing a fashion magazine.
History of Fashion Photography
In this course students will review the history of fashion photography in the 20th and 21st centuries, leading up to the development of fashion film. The Maciet archives at PCA partner institution Bibliothèque du Musée des Arts Décoratifs will be an invaluable resource for student research, along with the collections at the Maison Européenne de la Photographie [European Photography Institute], and the ASVOFF fashion film festival. The focus will be on Europe in the past two centuries because the scope needs to be limited to make a survey possible, and because we want to draw advantage of the resources offered in Paris.
The Fashion Concept & Editorial (MFFP 0511)
Students research and study the work of fashion photographers and while critically examining the pivotal role of the art director in the conception of fashion shoots and magazine publications. They will consider the roles and responsibilities of all the team members involved in editorial fashion shoots and magazines (writers, editors, graphic designers, model, stylist, make-up artist, etc.), and enhance their team working skills. They will focus on how to draft concept and envisioning process of creating a fashion editorial. The course will further address fashion media, the contemporary fashion magazine culture (mainstream as well as independent) and their significance in the fashion industry.
spring
Fashion Film & Photography Studio II
In this year-long studio course, students capture (still and moving) images and edit them. Time is spent in the photo studio for shooting, with a focus on advanced lighting techniques. Students perfect their knowledge of lighting scenarios in a studio and also in an outdoor environment using multiple light sources while mixing electronic studio flash with outdoor light. Emphasis is placed on understanding light and on mastering the technical aspects of the lighting equipment for both photo and video. Students work on different shooting projects with models, in the studio and on location in Paris. Individual projects are designed to coincide with the Paris Fashion weeks held in September and January of each year.
Seminar II: Portfolio Development
This year-long course serves as a critical and technical exploration of the language and theory of fashion photography and film. Students develop their own individual identities as professionals working with still and moving images, placing their work within conceptual and historical contexts. Independent and personalized readings and research projects accompany the work done in the studio, which in the second semester is focused on developing the final degree portfolio. The final portfolio can focus on still or moving images, or contain a combination of the two. At least one project in each medium (photography and video) is required. The outcome is an original and coherent set of images.
Advanced Printing Techniques
In this course, students will learn about various digital printing techniques and their unique aesthetics and use for the production of contemporary works of art and fashion photography. They will develop an in-depth understanding of all aspects of making pigment inkjet prints for portfolios and exhibitions. The fundamentals of color management and color profiles will be taught and students will learn how to properly optimize and prepare their digital files for printing with a large format inkjet printer (e.g., resolution, margins, scaling, color balance, contrast, etc.). Scanning will also be covered. Through various tutorials and hands-on use, students will be given the necessary knowledge to solve common inkjet printing problems, including color reproduction issues.
The creative decisions that contemporary artists and photographers should address before printing, including print technology and paper choice, is at the heart of this class. Students will be asked to articulate their conceptual ideas and formulate the best or most interesting methods of its production. Although inkjet printing is the concentration of the course due to the machines at hand, students will gather practical information about other labs in Paris where other types of digital prints can be produced and will be encouraged to try other printing studios when warranted. Students will visit various labs in Paris and will see work in various galleries and institutions that pertain to the course’s scope. Preservation issues surrounding various types of digital prints will also be touched upon.
Masters Electives
You may select an elective from the many course offerings in your department or in other departments with the approval of your department chair.
- French
- Drawing Technology and Perception
- Advanced Printmaking*
- Intellectual Property Rights
- Concept Development Storytelling
- Photography as Installation*
- Photography in the Expanded Field*
- History of New Media*
- Designer’s Ethical and Social Responsibility
- Educational Principles
- Alternative Processes Image-Making*
- Digital Fabrication Design
- The Art of Code I & II
- 4D Studio I & II*
- The Fashion Editorial
- Design Thinking
- Social Entrepreneurship
- Project Management*
* Undergraduate level courses
Frequently Asked Questions
How is this program cutting edge in contrast to other masters programs?
Paris makes our Master of Arts (MA) in Fashion Film & Photography one of a kind. As we know, Paris is the city where photography grew and the world capital of fashion and host many agencies, ateliers an important foundation as Louis Vitton, Yves Saint Laurent, Azzadine Ayala, to name a few. This combination makes our program unique and extraordinary. Students can benefit from this ideal environment for learning as much as for building networks and connections.
Our program is unique because it combines photography with video production and helps students develop a tailored and captivating portfolio with still and moving images. The program is not limited to technicalities but encourages students to mature their language, concept development, and fashion editorial skills, enhance their qualities, and understand their potential role in the industry regarding the different opportunities it offers.
During their studies, students face numerous opportunities to visit the city’s cultural institutions (museums, galleries, foundations), attend PCA talks, crits and lectures with experts and professionals, and participate in portfolio readings. Students can intern at studios, agencies, and other working opportunities Paris offers.
Students of Master of Arts (MA) in Fashion Film & Photography profit from a student exchange program with Istituto Italiano di Fotografia in Milan, joining shooting workshops with experts and visiting fashion industry hubs like Fondazione Prada or Silos Armani, among others.
What is the range of disciplines from which the students will be pooled?
We seek to have a highly diverse student group. Candidates from backgrounds including art, editorial, photography and film are all encouraged to apply.
How do you know if the program is right for you?
This one-year program is for students and emerging professionals who want to specialize in fashion and moving image. The proposed MA meets the demand of an expanding market for fashion advertising through storytelling in photography and film, using social media and capitalizing on the ability to reach large audiences for a reduced cost through online marketing. If you’re interested in new communication channels in the fashion industry and learning and working in the capital of fashion that is Paris, this is a program for you.
What are the prerequisites?
The program is open to any applicant who has successfully completed an undergraduate degree (BFA, BA, BSc, BID, BArch, etc.) with a studio component, or acquired basic technical skills (photography, video, editorial, editing software, printing, lighting, etc.) through other educational or professional experiences. Your previously acquired technical skills and creative potential will be evaluated through your portfolio.
What is the advantage of enrolling in this program in its first year?
The boldest ideas are generally implemented first. Fashion film & photography evolve and its codes constantly change over time, and waiting for the program to mature means you are missing the opportunity to get involved now. Faculty will work all the harder to mold the program to the needs of individual students in the first year. The faculty in the program are well-established fashion photographers in Paris, and have substantial teaching experience.
What are the advantages of studying in Paris?
Paris is the most suitable place to study photography worldwide. Since its beginning, photography has found fertile ground here, and even today, Paris represents the undisputed point of reference for those who want to understand, study, and explore the past and future of lens-based arts. Every week, Paris, through its extraordinary museums, galleries, and foundations, offers students multiple cultural opportunities and exhibitions to help them understand how image-making is evolving, as much as to observe artistic and curatorial works.
Paris is a learning environment like no other. Jeu de Paume, Foundation Henri-Cartier Bresson, European Museum of Photography, the ParisPhoto fair, and the Photo Saint-Germain festival, are just some of the many institutions that make studying photography in Paris a unique experience in the world.
What are concrete projects students can expect to complete?
This program focuses on technical skills and cognitive needs that arise from the continuous development of the fashion industry. Students will be able to:
> Create fashion films and advertising campaigns, look books, catalogues and window displays;
> Conceive and produce fashion shoots and films (model direction, lighting techniques, editing, concept and storytelling);
> Coordinate the creation of photo editorials, both printed and online;
> Manage a team, discussing and integrating the work of other professionals such as fashion stylists, make-up artists and art directors for the creation of work charged with aesthetic content;
> Create blogs and the magazines in order to use social media and capitalizing on the ability to reach large audiences for a reduced cost through online marketing.
> Respond to professional commissions.
How do faculty facilitate the collaborative work?
Our PCA faculty, all active professionals, is best suited to impart the skills and knowledge required to prepare students to enter a rapidly changing professional world. They facilitate much the way a project manager would-by having a weekly meeting to make sure everyone is working towards a commonly defined goal. Then they break down to smaller teams/individuals to define milestones and address any difficulties.
What are the faculty’s credentials?
Their expertise lies in Fashion and Film Photography, Still Life Photography, Intellectual Property, Professional Business Practices, Film Production, Fashion Editorial, Advanced Printing Techniques, Concept and Storytelling, Art Direction and Marketing.
What are the expected outcomes in terms of employability?
Students graduating from the Master in Fashion Film and Photography will be prepared to enter the international job market with specific knowledge and skills in photography and film, but also with a greater understanding of the fashion market and its associated professions. The combination of studio work, research, and professional practice preparation will enable graduates to work as freelancers or as salaried photographers and videographers, art directors, creative directors, or editors in communications and advertising bureaus.
What types of projects and companies will alumni be prepared for?
PCA has closely established links with industry and other partners through past industry sponsorship agreements with companies such as Les Compagnons du Devoir, L’Oréal, Shiseido, Promod, Galeries Lafayette, Hermès , and more. Our career services office assists students with securing internships. New links are sought and explored, to provide fashion film and photography students with a pertinent professional network. If freelancing/entrepreneurship is not your cup of tea, alumni will be able to work in a whole slew of fields like creative direction (e.g., Vogue, Marie Claire, Dazed, The Independent, Cosmopolitan), fashion editorial (e.g., Elle, A Magazine Curated By, Harper’s Bazaar, Large, Style Magazine), and communications and advertising bureaus (e.g., Publicis Worldwide, Aquent). The MA also provides an excellent preparation for higher level research degrees, with an increasing number of graduates undertaking research in fashion and photography related subjects, in practice or theory or entering education as lecturers.
What will students have in terms of a portfolio by the end of the program? Is a portfolio even the right way to look at the end result?
Upon graduation, students are expected to have achieved demonstrable skills in fashion film and photography image capturing and editing, an understanding of applied research methodologies, and increased teamwork and management skills. They will have practiced talking about their skills and competencies with professional employers and clients. The final portfolio is an original and coherent set of images that focus on still or moving images, or contain a combination of the two. At least one project in each medium (photography and video) is required. Students will also have a list of projects, generally visible online, likely talked about in blogs and journals.
What do alumni go on to do?
Alumni from our Master of Arts (MA) in Fashion Film & Photography can access the world of fashion and corporate industry with their skills, as much as a commercial assignments in editorial production, fashion shooting, concept development, photo/video content making, advertisement, and publishing.
According to their interests and perspectives, they can also propose their know-how to creative agencies, professional and communication studios, companies, and brands, or event embarking on their entrepreneurial career.
Related
Department
News
PCA Faculty Christophe Beauregard book launch in June 2024
The release of Christophe's Beauregard's artist book "Absolus. Let's Get High" by Cinabre editions is scheduled for June 2024!More
Graduation ‘24: Everything you need to know about this exciting day!
It's that time of the year where Graduation is on everyone's lips. Keep on reading to get all the details about the event!More
Archeology of Seeing curated by Steve Bisson, Chair of Photography
The works of two masters of photography, Eugène Atget and Gabriele Basilico, have been brought together for the first time to question the representation of places.More
Class of '24 Graduating Show at Bastille Design Center: Symbioses
Graduating students from the MA & MFA in Drawing, in Fashion Film & Photography, in Photography & Image-making and Transdisciplinary New Media, as well as BFA students in Fine Arts and Photography degree programs will be presenting their work over four days...More
PCA's End of the Year Shows 2024
Join the entire PCA community to celebrate the end of the academic year with exhibitions, a musical theater performance and a fashion show, from May 7 to 9, 2024More
PCA Faculty Omri Rosengart celebrates new Book Launch!
Omri Rosengart invites the PCA community to attend his latest Book Launch and celebrate this achievement.More
PCA Senior Fashion Design students featured in 17.23 Magazine!
Paris College of Art Senior Fashion Design students Publish on 17.23 MagazineMore
“Jeux de Mains”, a New Exhibition by MFA Photography & Image-making Students
In the homonym book, Stephen Elcock writes, “The hand is the quintessential instrument (the ‘tool of tools’ in Aristotle’s phrase), the prehensile mechanism of culture by which, for good or ill, we have achieved dominion over the planet.”More
PCA's New Collaboration with Chez Les Mannequins Model Agency
The Photography Department at PCA is happy to announce the new collaboration with the model agency Chez Les MannequinsMore
PCA Talks Presents: Yining He
PCA Talks Presents: Yining He, curator, writer, and visual arts researcher, specialises in uncovering contemporary visual arts practices and weaving them within a dual vision of politics and visual cultureMore
PCA Chair of Photography Steve Bisson curate exhibition on Ukraine "In the midts of the immense steppe"
PCA Chair of Photography Steve Bisson curate exhibition on UkraineMore
Narratives of Disarray the Exhibition & Confessions and Confusions, a performance
Join the entire PCA community to celebrate the end of the academic year, and graduation time for some of our students, with an exhibition, two performances and a fashion show, on May, 11, 2023More
PCA Talks Presents: Sarker Protick
Join us for PCA Talk with Sarker Protick on November 8th. The multi-awarded Bangladeshi author combines educational, curatorial practices with cutting edge visual research.More
MA in Fashion Film and Photography Alumna Alma Rosaz presents her Debut Book
"Alma Rosaz : A Dance with the Clouds" offers a kitsch and colourful journey into Alma Rosaz’s dazzling photography world.More
Steve Bisson new Chair of Photography at PCA
Klaus Fruchtnis will be leaving his position at the end of the month and is thrilled to announce the promotion of Steve Bisson as the new Chair of Photography. Steve has worked with us for the past four years. He started as...More
OFF Bratislava Festival of Contemporary Photography OPEN CALL!
Join the Open Call for the upcoming year of the festival of contemporary photography OFF Bratislava, including the OFF Academy, OFF Satellite and OFF Libris sections.More
PCA Faculty Steve Bisson Curates a Photography Exhibition in Peru
Peru is among the countries most affected by the Covid-19 pandemic. At the end of January 2022, tens of thousands of miners protest in the streets to denounce working conditions that are abusive to human dignity and to ask for a minimum...More
PCA LUNCH TALKS: Heidi Rondak
Heidi Rondak joins Paris College of Art to discuss her photography which is conceptual and sophisticates fashion in a narrative way. She likes to work interdisciplinary, often in collaboration with artists from other industries.More
Students Helping Students : Paris College of Art Digital Skills Workshops - Spring 2022
Do you have any specific questions or troubles with a project using any of these softwares and want some help? Try these Paris College of Art Digital Skills Workshops - Spring 2022More
Surrounded... in a good way with Patrick Hubbard '23
Interview with Paris College of Art student, Patrick Hubbard, who is earning his masters degree in Photography & Image Making.More
IN STUDIO / INVALUABLE
with CECILIA BILTON, MA Fashion Film & Photography '22
Interview with Paris College of Art student Cecilia Bilton who is earning her MA in Fashion Film & Photography '22More
Fernando Jiménez Fierro Revealed
Interview with Fernando Jiménez Fierro, MFA Fashion Film & Photography '22, tells us that "PCA offers an artistic approach to different topics..."More
PCA Faculty Steve Bisson curates the upcoming photography exhibition at Lab27
What impact does environmental change have on society and individuals? At this precise moment in history, awareness of the ability of human action to affect the planet on a global/local scale is at the highest levels in the scientific community and is...More
Blurring the Lines' partner opens the exhibition Earthlings at Atelier Néerlandais in Paris
The show presents a selection of works from artists who recently graduated from the photography departments of Dutch art academies. The artists were part of Blurring The Lines—an international talent program founded in 2016 by Klaus Fruchtnis (Paris College of Art) and...More
PCA Film Industry Lunch Talk: Didier Courtois Duverger
Didier Courtois Duverger is the Chairman and former CEO of Natixis Coficiné, the leading French and European bank specialized in the financing & consulting of films, tv series, cinemas, video & serious games and more generally the audiovisual & media industry. He...More
The 3rd International Photography Conference "Blurring the Lines"
Blurring the Lines, in collaboration with Paris College of Art, the European Cultural Centre, and Urbanautica Institute is thrilled to share the program of the 3rdInternational Conference on Photography and Education: Ethical Shift in Photography.More
Film Industry Lunch Talks: Hector Cabello Reyes
Hector Cabello Reyes is a Showrunner, Director, Screenwriter and actor who has created international and local fiction in the form of TV shows as well as long feature films, working in 4 languages (English, Spanish, French, Italian). His work includes Les Beaux...More
Careers and Alumni Talk: Vongai Ruzive
Vongai Ruzive, PCA alumna and fashion designer. Von focuses on inclusivity in her industry. In addition to her brand, after graduating from PCA, she now works at a fashion technology innovation lab in the 19th arrondissement of Paris where she works with...More
PCA Photo Lunch Talks: Rufus Barkley
PCA Photo Talks welcomes Rufus Barkley. Rufus is a photographer, film maker and writer. The contrasts inherent in his much traveled life are evident in his work, which contains a provocative energy and a precocious frame of reference.More
PCA Lunch Talks: Cameron Tidball-Sciullo
Cameron Tidball-Sciullo is a director & photographer based in Queens, New York who works as 1/2 of creative duo 91 Rules. His work is future-facing, focused on digital image-making technology and manipulation practices and deeply indebted to the 21st century. He’s driven...More